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Posts Tagged ‘April Eberhardt’

Sorry to all of the wonderful readers out there for disappearing for so long. See, I’ve been working on this thing called a novel, and, well…you know!

And it seems that I don’t have enough stress in my life, so I’m off to another writer’s conference in Boston: Muse & The Marketplace.

I will write (and Tweet) about the things I learn and the people I meet there. But until then, I’ve been fortunate enough to hoodwink and cajole a truly great person and a wonderful agent to “guest blog” for me. My very first. So be kind to her. Here goes:

So, I’m headed to Boston this weekend for Muse and the Marketplace, aka the Grub Street Conference. Of the 15 or 20 conferences that I participate in each year, I really look forward to this one. And this year in particular has all the signs of being HOT: great organization, high-quality manuscripts (I’m already reading lots of top-notch manuscripts in preparation,) and some of the nicest agents around.

A few thoughts if you’ll be pitching to agents/editors at M&M. These also apply to any other pitch session you might be attending:

1) We (the agents and editors) want to meet you as much as you want to meet us. So please don’t be nervous. Smile, extend your hand, and know that we’re dying to be beguiled by your tale. (But no pressure!)

2) If you need to read your pitch, that’s okay too. This isn’t a spelling bee or some other kind of memorization test. We want to hear your story — tell it to us however you can, the best way you can.

3) Try not to be too general in your pitch. For instance, “This is a story of redemption, healing and forgiveness.” That doesn’t tell us very much. Better to say, “Cameron Crawford is lost — physically and metaphorically. She awakens in a strange bed in an unknown city, wearing pajamas that are not hers, and is suddenly uncertain of even her own name.”

4) Try not to be too specific either. For example, “When Cameron opens her eyes, which are blue, but also a little green, she looks out the window, which is open halfway, and sees a brown building just across the light well. Well, it really isn’t a light well, it’s just the space between one building and the next. But anyway…”

5) Life is fast, and good fiction faster. Start your story quickly and keep up the pace. Extra points to s/he who finishes the novel beginning with the line, “By the time you read this, I will have taken a flying leap off the Golden Gate Bridge.”

I hope to see you in Boston — can’t wait to meet you and to be drawn into the word-world you have wrought. And if not Boston, look for me at one of the many other gatherings of literary folk throughout the year, and, oh yeah, don’t be shy.

April Eberhardt

About April: April Eberhardt Literary specializes in high-quality women’s fiction: thoughtful, carefully crafted narratives by, for and about women, the kind of books that generate interest and insights among women’s book club members. The agency also represents selected Young Adult works, particularly those aimed at prompting meaningful discussion between mothers and daughters about relationships, values and decision-making. As readers and publishers choose among the many ways literature is being delivered in the new millennium, authors need a literary agent who understands both the traditional and electronic marketplaces, along with the evolving role of self-publishing, done right. April founded her own agency in order to assist and advise authors as they navigate the increasingly complex world of publishing. After 25 years as a corporate strategist and consultant, April Eberhardt joined the literary world as head reader for Zoetrope: All-Story, a literary magazine, followed by five years as an agent with two San Francisco-based literary agencies. She holds an MBA from Boston University in Marketing and Finance, a BA from Hamilton (Kirkland) College in Anthropology and French, and a CPLF degree from the University of Paris. She divides her time between San Francisco, New York and Paris.

http://www.aprileberhardt.com/

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